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psychological
2009 · PG · 1h 40m
Be careful what you wish for.
Another world, a perfect version of the one she's from. Too perfect…
After moving with her distracted, work-consumed parents into the rambling old Pink Palace apartments, eleven-year-old Coraline Jones discovers a tiny door in the wall behind the wallpaper. Through it lies another version of her life — brighter, kinder, more attentive — where her Other Mother and Other Father seem to know exactly what she's been missing. Staying forever, though, requires a small sacrifice. From director Henry Selick (The Nightmare Before Christmas), a stop-motion fairy tale built like a trap.
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7.2
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Eleven-year-old Coraline Jones moves with her parents — a writer mother and a gardening-catalogue editor father — from Michigan to the Pink Palace, a rambling subdivided Victorian apartment building in Ashland, Oregon. Both parents are buried in deadlines and have little time or warmth to give her. The other tenants are eccentric and largely useless to a bored kid: aging former trapeze artists Miss Spink and Miss Forcible in the lower flat (with their pack of Scottie dogs and a stage of memory), and the leaping ex-circus performer Mr. Bobinsky upstairs (with a "mouse circus" she suspects he is making up). A local boy named Wybie Lovat keeps turning up unannounced, brought to the property by his grandmother who owns the building; Coraline finds him annoying. Wybie hands her a small doll he says his grandmother had — a stitched figure with button eyes that looks unsettlingly like Coraline herself.
Exploring the apartment, Coraline finds a tiny wallpapered-over door in the parlor wall. Her mother grudgingly opens it with an old black key; behind it is just bricked-up wall. That night, mice (or something like them) wake her and lead her back to the door. The bricks are gone. A narrow, glowing tunnel leads through to a mirror world — the Other Pink Palace — where everything is the same but better. Brighter colors, food that tastes like wonder, a happy attentive mother in the kitchen, a singing father at the piano. The only difference: Other Mother and Other Father have shiny black buttons sewn where their eyes should be.
Coraline returns home and dismisses it at first as a vivid dream, but her real parents continue to ignore her and the Other world keeps calling her back. Each visit the Beldam — as the Other Mother is later revealed to be — escalates the temptations: extravagant garden displays shaped like Coraline's face, a circus performance from a younger and athletic Other Bobinsky, a vaudeville show staged by youthful, idealized Spink and Forcible. The Other Wybie is silent and friendly, his mouth crudely sewn shut so he can't warn her. A black cat that talks only in the Other world appears as a wary guide who can travel between both.
Eventually the Beldam reveals her terms. If Coraline wants to stay in the Other world forever — happy, loved, the center of everything — she has to let the Other Mother sew shiny black buttons into her eyes, as has been done to everyone else there. Coraline panics and tries to leave. She finds her real parents have vanished from her real world; the Beldam has trapped them inside a snowglobe and is holding them hostage to force Coraline to choose.
Locked in a dark closet by the Beldam as punishment, Coraline discovers three ghost children: a Victorian girl, a tall boy in 1920s sportswear, and a sweet ghost girl from a more recent decade. Each was lured through the door by the Beldam, had their eyes replaced with buttons, and had their soul consumed when the Beldam tired of pretending to love them. They explain the rules to Coraline: the Beldam needs Coraline's love, freely given, but she'll settle for taking it if forced. They beg her to find their three lost eye-stones, hidden somewhere in the Other world, so they can finally move on.
Coraline strikes a bargain with the Beldam: a game. If she can find the three ghost-eyes plus her own real parents, the Beldam must let them all go. If she fails, she stays forever and gets the buttons. The Beldam agrees, confident she will win — and rigs the Other world to decay around Coraline as Coraline searches, pieces of it disintegrating into white nothing the further she gets from the central illusion.
Using a triangular seeing-stone given by Miss Spink and Forcible, Coraline finds the three ghost-eyes scattered across collapsing set pieces: hidden inside the rotting hulk of Other Bobinsky, lodged in saltwater taffy on the decaying Spink-and-Forcible stage, and pulled from the chest of a monstrous spider-mannequin version of the Beldam's domain. Each retrieved eye-stone is the soul of one ghost child; each child whispers thanks and faint warnings. Coraline narrowly escapes each set-piece as the Other world peels itself away around her.
Coraline returns to confront the Beldam in the now-skeletal Other parlor. The Beldam has shed her last pretense and revealed her true form — a tall, gaunt insectoid figure with needle fingers, white as bone. Coraline tricks her by claiming to know where her real parents are hidden, then throws the talking cat into the Beldam's face during the distraction. As the cat tears at her, Coraline grabs the snowglobe containing her parents and the black key and dives back through the tunnel toward home. She slams the small door behind her and turns the key in the lock.
Coraline wakes in her own apartment to find her real parents safely returned, with no memory of having been gone. She intends to bury the black key in a well outside the house, drop it forever — but before she can, the Beldam's severed right hand crawls out of the small door, having reached through behind her. The skeletal hand pursues her across the property, intending to steal the key back and unlock the door from the other side. Wybie, who Coraline previously dismissed, arrives just in time on his bicycle to help. Together they crush the hand with a stone, drop it and the key into the well, and seal it under a heavy stone slab.
The film closes on a small garden party at the Pink Palace. The three ghost children are finally at peace, the tenants are more present and human, Coraline's parents are warmer and more attentive after their ordeal, and Wybie has been reframed as a friend. His grandmother arrives in the final beat: the Beldam, decades earlier, had also lured her twin sister through the door — the missing twin whose old button-eyed doll Wybie had been carrying. The threat is gone but the cost is acknowledged. The cat watches from a fence post, tail twitching, then vanishes.
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