The Last Temptation of Becky (2026): Release Date, Where to Watch, and the Trilogy in Order

The Last Temptation of Becky opens in US theaters on Wednesday, November 4, 2026. Quiver Distribution announced the date on October 1, 2026, alongside two teaser trailers, and said the film opens exclusively in theaters. Fangoria and Rue Morgue both reported it the same day. Rotten Tomatoes lists it as a limited release, so expect it in fewer cities than a wide studio opening. Check local listings closer to the date.

Before that announcement, some listing sites showed October 23, 2026. That date never came from Quiver, and it no longer applies.

There is no announced digital, VOD or streaming date yet, and no announced streaming partner.

The rest of the series is available now. Both earlier films can be watched in the US:

- Becky (2020), on Netflix. Also free with a library card on Kanopy and Hoopla, and available to rent from about $2.99 on Amazon, Apple TV and Fandango at Home. - The Wrath of Becky (2023), on Netflix. Also free on Kanopy and Hoopla with a library card, and rentable from the same services at similar prices.

This page and the film page will be updated the day a digital or streaming date is announced.

The series is three films by three different directing teams, telling one continuous story about the same character.

1. Becky (2020), directed by Jonathan Milott and Cary Murnion. Kevin James plays against type as the antagonist. It scores 7.0 on Watch Darkly. 2. The Wrath of Becky (2023), directed by Matt Angel and Suzanne Coote, set two years later. We have not scored it yet. 3. The Last Temptation of Becky (2026), directed by Jenn Wexler, with Angel co-writing and Angel and Coote sharing the story credit, so the second film's creative team carries into the third.

Lulu Wilson has played Becky in all three and is an executive producer on this one. The character was created by Nick Morris, Lane Skye and Ruckus Skye, who wrote the first film.

You do not strictly need to watch the first two. They are short, they are on the same streaming service, and the third film moves the character into a completely different job, so it does not assume close memory of the second. If you only watch one first, watch Becky, which establishes who she is and why she behaves the way she does. The series rewards going in order, and at 93 and 83 minutes the catch-up is under three hours.

The film has played two festivals and has a real critical record, which is unusual for a film that has not opened yet.

Reviewing from Fantasia, ScreenAnarchy called it "a good time sticking it to Nazis" and judged that it stands up alongside its predecessors. Bloody Disgusting, SciFiNow and Eye for Film also filed reviews out of the festival run, and the reception has been broadly positive on the same terms, that it is doing what the series does at a larger scale.

The most common criticism in that coverage is technical. More than one reviewer noted that some of the violence lands softer than the previous films because of digital blood, which matters for a series whose appeal has been the practical, tactile nastiness of its kills.

As of October 4, 2026, Rotten Tomatoes lists nine critic reviews, all positive, and has not yet published a Tomatometer.

None of that says whether it is frightening. This is an action-horror hybrid. TMDB files it as action, horror and thriller at once, and the series has always run much higher on gore than on fear. We have not scored this one, because we score only after watching. When we have, the Fear, Gore, Atmosphere, Intensity and Overall values go on the film page.

Jenn Wexler directed The Ranger in 2018 and The Sacrifice Game in 2023, and produced a run of American independent horror before that. This is the first time she has taken over an existing series, and the first Becky film not directed by its previous team.

The setting is a real place. The Wolf's Lair, Wolfsschanze in German, was Hitler's Eastern Front military headquarters, built in what is now Gierłoż in northern Poland. It is the site of the failed July 20, 1944 assassination attempt, and the ruins operate today as a tourist attraction. The film's premise is built on that, with a family running a tourist venture at the bunker complex.

Production ran in Northern Ireland, with Northern Ireland Screen among the backers alongside BoulderLight Pictures and Post Film. Julia Swain shot it and Nima Fakhrara composed the score.