Alone

Jessica is recently widowed and relocating, driving alone through the Pacific Northwest with everything she owns. A man in a truck appears near her on the highway — polite when their paths cross at a gas station, friendly when he shows up again. Too many coincidences. She dismisses her instincts. He keeps appearing.

The situation escalates. He abducts her and brings her to a remote cabin. Evidence inside suggests she is not his first captive. Jessica escapes into the forest before he can fully consolidate his control over her.

She runs. He pursues. The film narrows to the two of them in dense Pacific Northwest wilderness — she is hurt and underprepared, he is patient and knows the terrain. Jessica has to keep moving, use what the forest offers, and suppress the panic that would get her killed.

She encounters a man named Robert — a solo camper — who becomes an uneasy ally. They attempt to navigate toward safety together. The Man finds them.

Robert is killed. Jessica, now alone again, faces her pursuer directly. She kills him. The film ends with her in the wilderness, surviving, the threat over, the cost of getting there written on everything about her.