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The Shape of Water
The Shape of Water poster

supernatural

The Shape of Water

2017 · R · 2h 3m

A fairy tale for troubled times.

An other-worldly story, set against the backdrop of Cold War era America circa 1962, where a mute janitor working at a lab falls in love with an amphibious man being held captive there and devises a plan to help him escape.

Plot summary via TMDB

Release & where to watch

In theaters
December 1, 2017
Home release
February 27, 2018

Curator Score

No Curator Score yet for The Shape of Water. A Curator Score appears once one of our curators has rated it. How we score

Jump scares

The Shape of Water has 2 jump scares. Compare counts

Genres

dramaromancefantasyhorror

Tags

Subgenre

Tone

surrealcharacter-driven

Setting

period-piece

Audience

Content Warnings

pet-deathtorture
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Details

Budget$19.5M
Box office$195.3M

Cinematography

Dan Laustsen

Starring

Sally Hawkins as Elisa Esposito · Michael Shannon as Richard Strickland · Richard Jenkins as Giles · Octavia Spencer as Zelda Fuller · Michael Stuhlbarg as Dr. Robert Hoffstetler · Doug Jones as Amphibian Man · David Hewlett as Fleming · Nick Searcy as General Hoyt

Production

Bull Productions, Double Dare You, Fox Searchlight Pictures, TSG Entertainment

Reviews

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Deep Cuts

Explainer

Is The Shape of Water a horror movie?

By Watch Darkly's standard, yes, though not in the way a slasher or a haunted-house film is. Most outlets file it as romance or fantasy, it won Best Picture as an adult fairy tale, and Guillermo del Toro has said he set out to make the monster beautiful rather than frightening. If you come to it wanting to be scared, this is not that film. It earns a place in a horror catalog through what it is built from. The Amphibian Man is a direct descendant of the Creature from the Black Lagoon, and del Toro first pitched the story as a Universal monster movie told from the creature's point of view. The film also carries genuine horror content: a recurring body-horror thread as a character's wound festers across the story, an on-screen animal death, and scenes of torture. Our test for inclusion is whether a film holds real horror in its lineage and its content, not whether a database labels it 'horror.' By that test it sits alongside other sympathetic-monster films we keep, including Edward Scissorhands and del Toro's own Crimson Peak and Frankenstein.