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survival
2026 · R · 1h 53m
Meet Linda Liddle... She's from strategy and planning. She's the boss now.
Stranded on an island really brings out the best in people.
When corporate strategist Linda Liddle is passed over for a promotion she's spent years earning, her new CEO invites her on a business trip that ends in a plane crash over the Gulf of Thailand. She and the man who wronged her wash ashore on a remote island — and in the absence of org charts and performance reviews, the rules of their relationship start to change. Send Help is a darkly comedic survival horror about what competence looks like when the usual power structures are stripped away.
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Based on 4 ratings
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Linda Liddle is a corporate strategist who has spent years carrying Preston Dynamics while waiting for the VP promotion she was promised. When the new CEO, Bradley Preston Jr., gives the role to his frat-bro friend Donovan instead, Linda erupts — and Bradley, impressed by her bluntness for the first time, invites her on a business trip to Bangkok. Midway through the flight, a violent storm tears the jet apart. Most passengers are sucked out. Linda and Bradley wash ashore on a remote island in the Gulf of Thailand.
Linda takes charge immediately. She builds shelter, finds water, hunts — drawing on survival skills she once bragged about on a Survivor audition tape her colleagues mocked. Bradley talks to her like a subordinate until she walks away and leaves him alone for two days; when she returns he's dehydrated and near collapse. She runs the camp. He follows her instructions. Linda thrives. She spots a passing rescue boat from across the island and silently watches it go. She does not signal.
Weeks in, Bradley suspects what she's doing. He laces a meal with toxic berries and paddles out on a makeshift raft while she falls ill. She recovers faster than expected and drags him back from drowning. In retaliation, she paralyzes him with a poisonous fish and stages a theatrical mock-castration — knife, rat blood, full performance — leaving him conscious and genuinely uncertain whether she's gone through with it. From that point, the dynamic is clear: she is the jailer, he is the captive.
Bradley's fiancée Zuri refuses to accept the official verdict of no survivors. She hires a guide and a boat and eventually lands on the island. Linda meets them while foraging, recognizes the threat immediately, and leads them along a cliffside path. Zuri slips. The guide tries to help. Linda attacks him with a rock. Both fall. She buries the bodies and returns to camp alone.
Bradley finds Zuri's remains. He confronts Linda; she claims accident. He doesn't believe her. They fight — he gouges out one of her eyes, she stabs him. He flees into the part of the island she always claimed was poisonous and inaccessible, and finds instead a fully stocked luxury beach mansion with electricity and supplies. She knew about it. She has been using it for months. The primitive camp, the manufactured dependence — all of it deliberate.
Linda arrives at the mansion with a shotgun and acknowledges everything. When Bradley lunges for the gun, it's unloaded. She anticipated it. She beats him to death with a golf club.
A year later. Linda is the sole survivor, the tragic heroine, the bestselling memoirist. A film adaptation of her story is in production. At a celebrity golf tournament, she promotes a forthcoming self-help book. Her message: "No help is coming, so you'd better start saving yourself."
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