Voces

Daniel and Sara uproot their family to renovate and flip a sprawling rural property, hoping to turn a profit and reset their lives. Their young son Eric quickly becomes unsettled — he hears voices, draws strange pale figures, and insists something in the house is calling to him. Daniel and Sara dismiss it as imagination, but Eric's behavior grows more erratic and frightened. One night, Eric is found drowned in the swimming pool. The doors were locked. No one saw him leave his room.

The family fractures. Sara cannot stay in the house and leaves. Daniel cannot leave — he is consumed by the need to understand what happened to his son. He begins recording audio throughout the house and captures fragments of voices, whispers that seem to respond to him. Desperate and isolated, he contacts Germán, a paranormal investigator known for communicating with the dead. Germán has his own history with grief: he lost a daughter to a similar haunting years earlier and has spent the time since trying to understand what took her.

Germán arrives with his teenage daughter Ruth, who shares his sensitivity to spirits. They set up equipment throughout the house and begin making contact. What emerges is not a single ghost but something older and more predatory — an entity that has occupied the property for generations, targeting children specifically, drawn to them by their openness and fear. The house's history reveals a pattern: children have died here before, all under circumstances that made no sense.

The entity turns its attention to Ruth. What follows is a desperate race to sever its hold on the house before it claims another child. Not everyone survives. The film ends in grief and exhaustion rather than triumph — the threat is neutralized at great cost, and the survivors carry the weight of everyone the house took before they arrived.