Jump Scares
Ranked by counted jump scares, the most first
Found Footage Horror ranked by how many jump scares they contain, the most first. Every film here has at least eight counted jolts, which measures how often the film goes for the startle and not whether the film is any good.
Six friends hire a medium to hold a séance via Zoom during lockdown — but they get far more than they bargained for as things quickly go wrong. When an evil spirit starts invading their homes, they begin to realise they might not survive the night.
![[REC]² (2009) poster](https://image.tmdb.org/t/p/w1280/4JG5WKfIGD6r7hdbqJVr2WKIxEe.jpg)
The action continues from [REC], with the medical officer and a SWAT team outfitted with video cameras are sent into the sealed off apartment to control the situation.
Inside a darkened house looms a column of TVs littered with VHS tapes, a pagan shrine to forgotten analog gods. The screens crackle and pop endlessly with monochrome vistas of static white noise permeating the brain and fogging concentration. But you must fight the urge to relax: this is no mere movie night. Those obsolete spools contain more than just magnetic tape. They are imprinted with the very soul of evil.
After the discovery of a mysterious VHS tape, a brutish police SWAT team launches a high-intensity raid on a remote warehouse, only to discover a sinister cult compound whose collection of pre-recorded material uncovers a nightmarish conspiracy.
The crew of a horror web series travels to an abandoned asylum for a live broadcast, but they encounter much more than expected as they move deeper inside the nightmarish old building.
![[REC] (2007) poster](https://image.tmdb.org/t/p/w1280/hgyJR4sgMsee6xMFM3xYiG6cDCh.jpg)
A television reporter and cameraman follow emergency workers into a dark apartment building and are quickly locked inside with something terrifying.
Looking for work, Aaron comes across a cryptic online ad: “$1,000 for the day. Filming service. Discretion is appreciated.” Low on cash and full of naiveté, he decides to go for it. He drives to a cabin in a remote mountain town where he meets Josef, his cinematic subject for the day. Josef is sincere and the project seems heartfelt, so Aaron begins to film. But as the day goes on, it becomes clear that Josef is not who he says, and his intentions are not at all pure.
A live broadcast of a late-night talk show in 1977 goes horribly wrong, unleashing evil into the nation's living rooms.
After a young, middle-class couple moves into what seems like a typical suburban house, they become increasingly disturbed by a presence that may or may not be demonic but is certainly the most active in the middle of the night.
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